Major, major Blackmagic Design Announcements ...

OK I am used the Blackmagic doing some major updates at certain times, especially NAB< but this little lot takes the proverbial biscuit… (and if you were NOT aware, they are market leaders and an Aussie company!)

Blackmagic Design’s NAB Update kicked off today with several significant announcements, including the URSA Cine 12K digital film camera with a brand new large format sensor; its first box-style digital film camera, the Blackmagic PYXIS 6K; DaVinci Resolve 19 with new AI tools and more than 100 feature updates, new DaVinci Resolve Micro Color Panel, and new live replay capabilities for live production and broadcast, including DaVinci Resolve Replay Editor hardware; a new range of SMPTE-2110 IP video products, including converters, video monitors, audio monitors and camera updates; and more.

URSA Cine 12K (AU$24,505; available now) – A revolutionary new digital film camera that introduces new advanced technologies with total integration into the post production workflow. This new model includes a new large format RGBW 36 x 24mm sensor with larger photo-sites for 16 stops of dynamic range, interchangeable PL, LPL and EF lens mounts, and industry standard Lemo and Fischer connections. Blackmagic URSA Cine 12K comes with 8TB of high performance storage built in and also includes high speed networking for media upload and syncing to Blackmagic Cloud. The full press release is below and accompanying images are available here.

“We wanted to build our dream high end camera that had everything we had ever wanted,” said Grant Petty, Blackmagic Design CEO, “Blackmagic URSA Cine is the realization of that dream with a completely new generation of image sensor, a body with industry standard features and connections, and seamless integration into high end workflows. There’s been no expense spared in designing this camera and we think it will truly revolutionize all stages of production from capture to post!”

Blackmagic PYXIS 6K (from AU$4,905; available in June) – A next generation digital film camera that features a versatile box or cube design with a massive 36 x 24mm 6K sensor with 13 stops of dynamic range and dual CFexpress media recorders, all in a customizable body. The full press release is below and accompanying images are available here.

DaVinci Resolve 19 (public beta available now) – A major new update which adds new AI tools, over 100 feature upgrades such as IntelliTrack AI, Ultra NR noise reduction, ColorSlice six vector grading, film look creator FX, multi source editing, new multipoly rotoscoping tools, new Fairlight AI audio panning to video, ducker track FX and ambisonic surround sound plus new features in Blackmagic Cloud for large customers. The full press release is below and accompanying images are available here.

Blackmagic Replay (available now in DaVinci Resolve 19 public beta) – A new way of creating live action replays for broadcasters. Blackmagic Replay is totally unique because it uses multiple HyperDecks to record into shared storage, while DaVinci Resolve is connected to the same shared storage as a powerful playback engine. However, the true power comes from having DaVinci Resolve handle the playback. That’s because it’s not just replay, but an extremely powerful editor with multi user collaboration features. Plus color correction, visual effects and audio post production. Now replays can be converted into promos, title sequences and instant social media updates.
DaVinci Resolve Replay Editor (AU$809; available in May) – A hardware control panel that combines features for both replay and for multicam editing. Its affordable design has the same high quality keys that gaming keyboards use, so it’s reliable and feels nice to use. With features for both replay and editing, it means the same operator can work on replays while loading them into the timeline with the keyboards editing features. This makes it incredibly fast to use. Plus the buttons have been spaced so customers can location them by feel. Even the trim keys work with the large search dial for greater speed and accuracy. The panel can connect via USB or Bluetooth and the large internal battery lasts for hours.

Fusion Studio 19 (public beta available now) – Adds support for Resolve FX Surface Tracker, support for Resolve FX Object Removal, multi Poly tool for easier rotoscoping of complex objects, IntelliTrack AI point tracker option in Tracker and more.

DaVinci Resolve Micro Color Panel (AU$809; available in May) – A new more affordable color panel for DaVinci Resolve software. Designed in collaboration with the world’s leading colorists, the DaVinci Resolve Micro Color Panel features high quality trackballs and precision machined control knobs for fine tuning primary grading parameters, as well as navigation and transport keys for shortcut commands. The new more portable model features a mounting slot for an Apple iPad Pro, an internal battery and connects via Bluetooth or USB-C. The full press release is below and accompanying images are available here.

Blackmagic Ethernet Switch 360P (AU$4,725; available in July) – The first Ethernet switch designed specifically for the film and television industry. This high performance plus low latency Ethernet solution also features 16 fast 10G Ethernet ports, 2 extremely high speed 100G Ethernet ports, and rear Ethernet connections for better cable management. This simple plug and play solution that operates within the 2110 IP video workflow has everything needed for film and television work. The full press release is below and accompanying images are available here.

Blackmagic Cloud Store Max (from AU$10,865; available in May) – New 1RU models of Cloud Store network storage. Cloud Store Max features extremely high performance flash storage, with 24 and 48TB models, 12 card RAID 0 flash memory core, 4 x 10G Ethernet, 100G Ethernet, USB-C and Blackmagic Cloud sync for distributing files globally. The full press release is below and accompanying images are available here.

Blackmagic Media Player (AU$1,645; available in July) – A new capture and playback solution for Thunderbolt computers with dual 12G-SDI outputs for fill and key playback, 12G-SDI capture and 10G Ethernet that lets customers use DaVinci Resolve 19 as a media player and replay solution for the live production and broadcast markets. The full press release is below and accompanying images are available here.

Blackmagic 2110 IP Converters (from AU$495; available in May) – A new range of converters with mini and rack mount models that support Ultra HD using 10G Ethernet. Designed to integrate SDI equipment into 2110 IP broadcast systems for customers in broadcast, live production and AV, the new Blackmagic 2110 IP Converters conform to SMPTE ST-2110 standard for IP video. The full press release is below and accompanying images are available here.

SmartView 4K G3 (AU$2,085; available in May) – The first Ultra HD broadcast monitor with both 12G-SDI and SMPTE-2110 IP video inputs. This new model allows customers to connect directly to IP based broadcast systems as well as a range of 12G-SDI professional video equipment up to 2160p60, making it perfect for broadcast and live production. It also includes 3D LUTs and monitoring controls such as focus peaking, framing guides, safe area and more.

The full press release is below and accompanying images are available here.

Blackmagic Audio Monitor 12G G3 (AU$2,119; available in June) – A powerful new model of its extremely popular rack mount audio monitoring solution. The new Blackmagic Audio Monitor 12G G3 features a 10G Ethernet SMPTE-2110 IP video input so customers can connect to IP broadcast systems without an external converter. Plus, it also includes a large audio meter with accurate ballistics, 12G-SDI input, traditional balanced analog XLR, HiFi, AES/EBU audio inputs and HDMI video output. The full press release is below and accompanying images are available here.

ATEM 1 M/E Constellation 4K and ATEM 2 M/E Constellation 4K ($1,795; available now) – Two new Ultra HD models of the ATEM Constellation family with up to 20 x 12G-SDI standards converted inputs. The two new 4K models have the same powerful features as the ATEM 1 M/E and 2 M/E Constellation HD models including aux outputs, DVEs, ATEM advanced chroma keyers, multiview and SuperSource. The full press release is below and accompanying images are available here.

ATEM Micro Panel (AU$1,129) – A new extremely portable and affordable control surface for use with ATEM Software Control that works with all models of ATEM switchers.

Blackmagic Videohub 120×120 12G (AU$21,225; available now) – The newest model in the Videohub 12G router family. The massive Blackmagic Videohub 120×120 12G features a front panel with shortcut buttons, an LCD which can display labels or live video, a machined metal spin knob for browsing video sources, reference connections and redundant power. It also features zero latency, full SDI re-clocking and external control via Ethernet. The full press release is below and accompanying images are available here.

Lower prices for Blackmagic Video Assist 3G and 12G models (varies; available now) – Customers can save US$200 on all models. These lower prices make it easier than ever for customers to add professional monitoring and Blackmagic RAW recording to SDI or HDMI cameras. The full press release is below and accompanying images are available here.

ATEM Switchers 9.4 (free; available now) – A new software update for the ATEM 4 M/E Constellation 4K that:

Adds option for borderless Multiview
Allows custom Multiview border colors
Allows Multiview labels to be enabled / disabled individually

HyperDeck Setup 8 (free; available now) – A new software update for HyperDeck Studio 4K Pro, HyperDeck Studio HD Pro, HyperDeck Studio HD Plus, HyperDeck Studio HD Mini that: